Pallbearer

Vectortone Presents

Pallbearer

Spirit Adrift, Adam Faucett

Mon · April 2, 2018

Doors: 7:00 pm / Show: 8:00 pm

$15.00

Tickets at the Door

This event is 18 and over

Pallbearer
Pallbearer
Pallbearer’s third album, Heartless, is an inspired collection of monumental rock music. The band offers a complex sonic architecture that weaves together the spacious exploratory elements of classic prog, the raw anthemics of 90’s alt-rock, and stretches of black-lit proto-metal. Lyrics about mortality, life, and love are set to sharp melodies and pristine three-part harmonies. Vocalist and guitarist Brett Campbell has always been a strong, assured singer, and on Heartless, his work’s especially stunning. This may in part be due to the immediacy of the lyrics. Written by Campbell and bassist/secondary vocalist Joseph D Rowland, the words have moved from the metaphysical to something more grounded. As the group explains: “Instead of staring into to the void—both above and within—Heartless concentrates its power on a grim reality. Our lives, our homes and our world are all plumbing the depths of utter darkness, as we seek to find any shred of hope we can."

Pallbearer emerged from Little Rock, Arkansas in 2012 with a stunning debut full-length, Sorrow and Extinction. The record, which played like a seamless 49-minute doom movement, melded pitch-perfect vintage sounds with a triumphant modern sensibility that made songs about death and loss feel joyfully ecstatic. Pallbearer possessed what many other newer metal groups didn't: perfect guitar tone, classic hooks, and a singer who could actually sing.

For their 2014 followup, Foundations of Burden, the band worked with legendary Bay Area producer Billy Anderson (Sleep, Swans, Neurosis) for an expansive album that was musically tighter and especially adventurous. Armed with a more technical drummer, Mark Lierly, Foundations feels like it was built for larger shared spaces—you could imagine these songs ringing off the walls of a stadium. It was a hint of things to come. While the debut earned the band a Best New Music nod from Pitchfork and rightly landed the band on year-end lists at places like SPIN and NPR, along with the usual metal publications, Foundations of Burden charted on the Billboard Top 100 and earned the band album of the year from Decibel and spots on year-end lists for NPR and Rolling Stone.

Returning to where it all began, the quartet recorded their third full-length, Heartless on their own in Arkansas, and it’s grander in scope, showcasing a natural progression that melds higher technicality and more ambitious structures with their most immediate hooks to date. The collection, which follows the 3-song Fear & Fury EP from earlier this year, was captured entirely on analog tape at Fellowship Hall Sound in Little Rock this past summer and then mixed by Joe Barresi (Queens of the Stone Age, Tool, Melvins, Soundgarden).

From the gloriously complex, sky-lit opener “I Saw the End” to the earth-shaking (and heartbreaking) 13-minute closer “A Plea for Understanding,” the entire group puts forth the full realization of their vision: More than a doom band, Pallbearer is a rock group with a singular songwriting talent and emotional capacity. Heartless finds the group putting forth their strongest individual efforts to date: Campbell and Rowland, along with guitarist/vocalist Devin Holt and drummer Mark Lierly, turn in peak marathon performances. Both Campbell and Rowland also handle synthesizers alongside their normal duties, and there are plenty of gently strummed acoustic guitars amid the crunchy electric ones, adding a moody, ethereal spareness to the towering metal. The almost 12-minute “Dancing in Madness” opens with dark post-rock ambience and moves toward emotional blues before exploding into a sludgy psychedelic anthem. A number of the seven songs feature a humid rock swagger.

By fusing their widest musical palette to date, Pallbearer make the kind of heavy rock (the heavy moments are *heavy*) that will appeal to diehards, but could also find the group crossing over into newer territories and fanbases. After having helped revitalize doom metal, it almost feels like they’ve gone and set their sights on rock and roll itself. Which doesn’t seem at all impossible on the back of a record like Heartless.
Spirit Adrift
Spirit Adrift
Phoenix-based doom outfit. Formed in 2016 as the one-man project of Nathan Garrett. Rounded out as a full live/touring act in 2017, featuring members of Gatecreeper and Goya.
Adam Faucett
Adam Faucett
"Nothing can prepare you for the sound that comes out of his mouth when he sings—or bellows—his stellar songwriting. It is a soulful power beyond belief."

-Paste Magazine



Hailing from Little Rock, Arkansas, and possessing a voice that the Onion A.V. Club warns "knocks your brain into the back of your skull", Adam Faucett has drawn comparisons from Tim Buckley to Cat Power to Otis Redding.



Called "one of the greatest, most thoughtful lyricists the state has to offer." (Arkansas Times) Faucett has again pushed the borders of his "part folk, part blues, part elemental rock stomp, part unidentifiable cosmic holler" (Arkansas Democrat Gazette) with the release Blind Water Finds Blind Water, a record of his most arresting and beautiful songs to date.



Faucett began performing solo in 2006 when the demise of Russellville, AR band Taught the Rabbits pushed him toward Chicago. He returned to Arkansas in 2007 to record his first solo album The Great Basking Shark, and began touring nationally. 2008's Show Me Magic, Show Me Out followed, featuring Faucett's band, The Tall Grass. A relentless touring schedule has led to shows with Jason Isbell, Damien Jurado, Chuck Ragan, and Lucero.



For the past two years, Adam has toured nationally and internationally in support of his third acclaimed release, More Like A Temple, which received praise from outlets including American Songwriter, Paste Magazine, No Depression and Uprooted Music Review. Temple also gained overseas support, landing at #14 on the EuroAmericana chart and receiving 5 stars from Altcountry.NL, bringing him to Europe for the first time.



From the opening note of the first track of Faucett's new release Blind Water Finds Blind Water (Last Chance Records - 2014), it becomes clear that there is no holding back on this album. The emotionally raw "Day Drinker" sets the tone for a tour of unearthly themes set against the workaday backdrops of rural and suburban Arkansas. Sublime melodies mix tensely with characters who live in unsavory and haunted spaces. A Staten Island killer, an abusive ex-husband, and the 20th century "sleeping prophet" Edgar Cayce, all make appearances. Faucett, who says he "identifies more with the flood than the victims", explains "the tunes of Blind Water take full responsibility for the irreversible damage."



"Benton" and "Sparkman" reference two of the Arkansas towns where Adam spent his childhood, with the treatment of these stomping grounds blending reality and fiction to create Faucett's own Arkansas Gothic vision. Deeply personal moments "Opossum", "Poet Song", and "Walking Home Late" are, according to Faucett, "all almost word for word true autobiographical accounts of my life in the not-so-Southern, not-so-Midwestern bastard state of mind that is Central Arkansas. This record, written on the run physically and emotionally, is a mapping of a moment guided by the whim and mercy of others. Water, blind and helpless moves not where it wants but where it's allowed."
Venue Information:
Zanzabar
2100 South Preston Street
Louisville, KY, 40217
http://www.zanzabarlouisville.com/